The simplicity with which Bulleh Shah has been able to address the complex fundamental issues of life and humanity is a large part of his appeal. His poetry highlights his mystical spiritual voyage through the four stages of Sufism: Shariat (Path), Tariqat (Observance), Haqiqat (Truth) and Marfat (Union). At present, these forms continue to co-exist, albeit in a varying degree, with Azad Nazm having an edge over them all.The classic Urdu poet who lived from 1680 - 1758 in what is now Pakistan.īulleh Shah’s writings represent him as a humanist, someone providing solutions to the sociological problems of the world around him as he lives through it, describing the turbulence his motherland of Punjab is passing through, while concurrently searching for God.
Soon after the partition of the sub-continent, these forms were reinforced by Triolet, Haiku, Renga and Tanka etc.
Beit slightly resemble with form Dohas and Sorthas, moreover also influenced by Persian forms of prosody like Ghazal, Mathnavi, Rubai Kaafi etc., and, thereafter, in the nineteen forties, was further strengthened by Sonnet and Blank Verse.
Sindhi Poetry contain two main original forms of verse, such as 'Beit' and 'Vaei'. Old Sindhi poetry impact upon contemporary languages and also accept the healthy influence of some languages like Hindi. Sindhi poetry is very rich in thoughts as well as contain variety of genres like other developed languages. Sindhi is one of the oldest languages of the Indus Valley having itsown literary colour both in poetry and prose. It continues an oral tradition of a thousand years. Sindhi poetry is poetry written in the Sindhi language ( Template:Lang-sd).
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